Late fall has the madrone around Fort Worden losing their bark (well, they are losing something all year round, it seems). It adds some variation in the colors.
Images shot on Kodak Portra 400 with a Nikon F100.
Late Fall Madrone
Abstract Double Exposure
I have been trying out various film cameras to find some I like. They are cheaper now than they were when new … but more expensive than several years ago, as film is making a comeback. This shot was one where I removed a roll of film that I hadn’t started, but was loaded in a camera that I had decided to return (it was a Nikon F6 … a beautiful rugged beast of a camera, but just too heavy). When I loaded it into the ‘new’ camera (a Nikon F100) it wasn’t synced up exactly right and I ended up with a partial double exposure. I thought it was an interesting abstract ‘still life’.
I decided to keep the F100 … it was one of the last film cameras that Nikon made … and was fully automatic, with full compatibility with current lenses. The other 35mm camera I decided to keep was the Nikon FM3a … a fully manual camera (with built in light meter). It’s much lighter weight… but won’t accept current lenses.
Can Hardly See the Trail for the Trees
The trail down there is also a service road … so it’s wider than a typical trail. This is all second growth and the trees are too close together for any to get much light. In a couple hundred years, maybe it will be more of a forest instead of a bunch of pencil trees.
Trail Views
I like photos of trails … and I seem to be particularly fond of those where the trail curves around out of sight. This adds a bit of mystery to the image. These two were taken on Tri-X … a classic black and white film with good exposure latitude. The camera was my Nikon FM3A … one of the last film cameras that Nikon made.
Boat Haven Marina
I was walking around downtown Port Townsend with a new (to me) camera: a Rolleiflex from the early 1950’s. I had just purchased the camera and was checking it out by running a roll of film through it and getting it back from being developed before the time to return the camera ran out (if it had a mechanical problem, for instance). I was shooting Kodak Portra 400 and then converted to black and white in Lightroom Classic. I usually prefer to shoot in color and then convert to B&W because then you can use the color sliders in the software to (for instance) darken the sky. That way I don’t have to carry a bunch of filters around (if I can even find filters for the camera).